traces of fun

dog

boy

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a collage

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a collage

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Art X Craft

Possible categorization of my work. ‘Craft’ is the commercial activities (usually motion design, video production assignments). ‘Art’ is the work that priorizes thought, long-term investigation and less immediate communication.…

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camouflage

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camouflage

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my work

intersection

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my work

intersection

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problem solving

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problem solving

Picture 12
Screen shot 2013-01-14 at 15.19.31

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on line: drawing through the 21st century

Drawing conventionally has been associated with pen, pencil, and paper, but artists have drawn lines on walls, earth, ceramics, fabric, film, and computer screens, with tools ranging from sticks to scrapers to pixels. Looking beyond institutional definitions of the medium, On Line (on view from November 21, 2010 to February 7, 2011) argues for an expanded history of drawing that moves off the page into space and time.…

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imaginative love through literature

I would say, for the moment, that community, at least community larger than the immediate family, consists very largely of imaginative love for people we do not know or whom we know very slightly. This thesis may be influenced by the fact that I have spent literal years of my life lovingly absorbed in the thoughts and perceptions of—who knows it better than I?—people who do not exist.

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work schedule 1932–33. henry miller miscellanea

COMMANDMENTS

Work on one thing at a time until finished.

Start no more new books, add no more new material to ‘Black Spring.’

Don’t be nervous. Work calmly, joyously, recklessly on whatever is in hand.

Work according to Program and not according to mood.…

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WEIRD MOVIE

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but does it float

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but does it float

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trees

Theodore W. Pietsch writes in the introduction of Trees of Life: A Visual History of Evolution:

The tree as an iconographic metaphor is perhaps the most universally widespread of all great cultural symbols. Trees appear and reappear throughout human history to illustrate nearly every aspect of life.

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the material that you have inherited

Your style is still going to be constructed out of the material that you have inherited, but it’s going to be put together in some way that has, hopefully, never quite been heard before.

by Michael Chabon, who speaks to the influence ecosystem that William Gibson once so eloquently termed “personal microculture” and captures the essence of combinatorial creativity.…

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inkaandniclas

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José Alejandro Restrepo’s Musa Paradisíaca

There were four installations by José Alejandro Restrepo in the exhibition: Song of Death, 1999; Humboldt’s Crocodile is Not Hegel’s Crocodile, Musa Paradisíaca and An Eye for a Tooth, all from 1994. Among them, Musa Paradisíaca is the most impressive, since it combines the artist’s multilayered interests from biology to anthropology, economics and politics, emphasising the socio-political consequences of the exploitation of banana plantations by foreign companies in Colombia.

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myths, leaders and democracy

Interesting relation between mythology and contemporary politics. By Quinn O’Neill at 3quarksdaily

Archetypes are universally recognized symbols or patterns of behavior that tend to recur in myths and stories across different cultures. The femme fatale, the hero, and the wise old man are common examples.

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working

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working

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Design e Comunicação Multissensorial: Lygia Clark – A Casa é o Corpo: Labirinto


Lygia Clark – A Casa é o Corpo: Labirinto

Em seu trabalho, Lygia sempre busca a interação do espectador por objetos sensorias, como sacos plásticos, pedras, conchas, luvas, despertando assim as sensações e fantasias.

Uma exposição que me chamou atenção foi a “A Casa é o Corpo: Labirinto” de 1968.…

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Design e Comunicação Multissensorial: Lygia Clark – A Casa é o Corpo: Labirinto


Lygia Clark – A Casa é o Corpo: Labirinto

Em seu trabalho, Lygia sempre busca a interação do espectador por objetos sensorias, como sacos plásticos, pedras, conchas, luvas, despertando assim as sensações e fantasias.

Uma exposição que me chamou atenção foi a “A Casa é o Corpo: Labirinto” de 1968.…

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hut


an idilic idealistic bucolic scene.…

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hut


an idilic idealistic bucolic scene.…

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time

time reminds me of life.
time is the most essential component of life.

cinema is a language that captures time.
cinema is also our mythology.
it deals with lifes, people, emotions.…

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abracadabra

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abracadabra

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recurrent

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recurrent

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sickness

the day before yesterday I was with the flu. fever, tired body. slept bad, with alucinations.

next day, after sleeping until 15:00, i was almost recovered.
i felt as if resurfacing on the other side.

the sickness was some kind of death

sickness as the dark side (concept by Susan Sontag, ‘sickness as a metaphor’ and taken further in The Emperor of All Maladies: A Biography by Siddhartha Mukherjee.)

what made me think of the fact that a lot of people in the weekend drink and get drugged like crazy, and then stay hung-over for a day.…

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my creative process

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my creative process

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120130_shoes-snow

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120130_shoes-snow

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Cannibalism as a start

I started my research inspired by an early XX century brazilian artistic movement. It was called Anthropophagism (synonym for cannibalism).

It is basis is the act of appropriation.

The projects I envisioned were related to the use of computers to cannibalize current social, artistic and political issues.…

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Apparitional experience

Apparitional experience

In psychology[1] and parapsychology, an apparitional experience is an anomalous, quasi-perceptual experience.It is characterized by the apparent perception of either a living being or an inanimate object without there being any material stimulus for such a perception. The person experiencing the apparition is awake, excluding dream visions from consideration.In scientific or academic discussion, the term apparitional experience is to be preferred to the term ghost in respect of the following points: The term ghost implies that some element of the human being survives death and, at least under certain circumstances, can make itself perceptible to living human beings.…

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